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Item #:
59949076
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
Item #:
59949076
AUD 63
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The Skin of the Film offers a theory of 'haptic visuality'—a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste.
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What Stands Out
Intercultural Insights
Explores diverse cultural perspectives in cinema, enriching reader understanding of global narratives and fostering appreciation for varied storytelling techniques.
Sensory Experiences
Focuses on the embodiment aspect of film, allowing readers to engage with movies on a deeper sensory level for a more profound viewing experience.
Critical Analysis
Offers in-depth critiques and analysis of film techniques, making it valuable for filmmakers, students, and cinephiles seeking to enhance their understanding of cinema's impact.
Product Details
| Publisher | Duke University Press |
| Publication date | January 19, 2000 |
| Edition | First Edition |
| Language | English |
| Print length | 320 pages |
| ISBN-10 | 0822323915 |
| ISBN-13 | 978-0822323914 |
| Item Weight | 1.25 pounds (570 grams) |
| Dimensions | 6 x 0.8 x 9.12 inches (15.2 x 2 x 23.2 cm) |
Who Should Buy?
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Film Studies Scholars
Scholars will appreciate insights into intercultural cinema and its embodiment of sensory experiences in film narratives.
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Cultural Critics
Cultural critics can analyze the interdisciplinary aspects of cinema and its impact on cultural identity and representation.
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Students of Media
Media students can gain a deeper understanding of the sensory aspects of film, enhancing their academic studies.
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General Audience
Casual readers might find the academic style and depth unengaging or overly complex for casual reading interests.
Product Description
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
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Customer Questions & Answers
-
Question:
What is 'haptic visuality'?
Answer: A theory introduced by Laura U. Marks that describes a visuality functioning like touch, evoking physical memories. -
Question:
How many films are analyzed in The Skin of the Film?
Answer: Nearly 200 examples of intercultural film and video are examined throughout the book. -
Question:
Who would benefit from reading this book?
Answer: It is essential for those interested in film theory, experimental cinema, and the cultural experiences of diaspora.
History & Criticism Editorial Review
** The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses** Laura Marks' *The Skin of the Film* excels in connecting the multifaceted realms of cinema and sensory experience, especially in the context of intercultural narratives. The book dives deep into the relationship between film/video and our non-audiovisual senses, offering a profound analysis that resonates with contemporary discussions on language and culture. Marks focuses specifically on filmmakers and video artists who navigate the complexities of cultural separation. Their works, as discussed in the text, articulate themes of loss, longing, and memory, which are explored through the lens of sensory experience. Critics highlight Marks’ articulate examination of sensory memory, which effectively bridges personal accounts with broader cinematic practices. The depth of her inquiry not only illuminates the artists’ approaches and narratives but also invites readers—especially those inclined towards art and cinema—to reflect on their own sensory engagements with film. This rich amalgamation of theory and creativity positions *The Skin of the Film* as an insightful resource for both artists exploring the boundaries of their medium and film enthusiasts seeking a deeper understanding of the sensory dimensions of cinema. **
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Pros
- In-depth analysis of film's connection to sensory experiences.
- Focus on the work of artists from different cultural backgrounds.
- Engaging themes of loss, longing, and memory.
- Relevant for both artists and film enthusiasts.
- Offers a contemporary perspective on language and culture in cinema.
Cons
- Some potential readers may not have yet engaged with the text.
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AUD 63
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Features & Benefits
- Explores the connection between cinema and the physical experience of culture.
- Introduces 'haptic visuality' as a means to engage viewers bodily.
- Analyzes nearly 200 examples of intercultural film and video.
- Draws from diverse theories: phenomenology, postcolonial, feminist, and cognitive science.
- Considers the role of silence and gaps in cultural representation.
- An essential resource for film theory and the experience of diaspora.
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